Chasing Cezanne Signed Edition
Cezanne
Published on the centenary of the artist’s first one-man exhibition mounted in Paris, this catalogue contains more than 240 colorplates of works by Paul Cezanne (1839-1906), illuminated by thoughtful commentaries by an array of international scholars. Numerous black-and-white illustrations of paintings, drawings, watercolors, and sketchbook pages represent all aspects of his oeuvre. This volume’s comprehensive review of the critical response evoked by C?zanne’s work, both during his lifetime and afterward, is unprecedented in the literature on the artist. Also included are a fully documented, illustrated chronology and an annotated glossary of the collectors who acquired the work of the nineteenth-century master.
Published to accompany the recent C?zanne retrospective organized by the R?union des Mus?es Nationaux/Mus?e d’Orsay, Paris; the Tate Gallery, London; and the Philadelphia Museum of Art. Awarded the prize for Best Museum Catalogue published in 1995&endash;96 by the International Association of Art Critics. Index.
Customer Review: Exquisite
Assembled to accompany a major retrospective of the artist’s work, “Cezanne,” by four art scholars and curators, includes 258 large color plates and 350 black-and-white pictures of paintings, drawings and sketches, organized by chronological period. Each gorgeous plate is accompanied by the work’s provenance and exhibitions. Accompanying text describes the painting’s personal and historical context as well as critical responses at the time and through the years. The book also includes quotes from Cezanne on art and two lengthy, thoughtful essays on “A Century of Cezanne Criticism.” A volume which will afford hours and years of pleasure to anyone interested in Cezanne’s art.
Customer Review: A book worthy of “the father of us all”
Picasso, speaking about modern art and artists, referred to Cezanne as “the father of us all.” He was that rare artist whose vision -and ability to express it- was so keen and unique that it can actually impact the way we se the world around us. (How often I look into the trees and think “that looks like a Cezanne.”) More than any other book of his work this volume succeeds in showing the sweep and depth of Cezanne’s genius. The reproductions are superb and plentiful. The descriptive text accompanying each image, while interesting, needs to be taken with a grain of salt, as is often the case in catalogues of this nature. But the truth is I buy art books for the pictures! For text, try Rewald’s book which is also excellent and contains some paintings not elsewhere printed, and deals extensively with the relationship between Cezanne and Zola. I also recommend Gotz Adriani’s book on Cezanne. But if you can only have one, this is it.
Apples And A Napkin by Paul Cezanne. size: 14 inches width by 12 inches height. Art Poster Print 
Apples And A Napkin by Paul Cezanne. Measures: 14 inches width by 12 inches height. Art Prints, Posters, Framing and Canvas Transfers at GetArtPosters.
Paul Cezanne (The Life and Work of) 
This new edition asks probing questions. Where did Paul C?zanne grow up? What did Paul C?zanne like to do with his friends when he was young? What did he like to paint pictures of? Read ‘The Life and Work of: Paul C?zanne’ to answer these questions and more. Each book in ‘The Life and Work of…’ series tells the story of a famous artist. You’ll learn about their lives. You’ll see how the things that happened to them and the people who they met changed the way they made their art.
Kitaj: In the Aura of Cezanne and Other Masters 
Kitaj’s enigmatic and highly personal paintings engage with contemporary culture, his Jewish identity, and the horror of the Holocaust. His hero is C?zanne: “He is my greatest painter of all and the three last Bathers are my favorite art of all.” Kitaj recently embarked on a series of seven major new paintings inspired by C?zanne’s Bathers for an exhibition at the National Gallery, London. These new works are reproduced here for the first time, together with a series of black chalk drawings, directly inspired by C?zanne. The book includes a short essay about Kitaj’s work, which places the new paintings in the context of his earlier works and reveals his constant preoccupation with the Old Masters. There is also a new and previously unpublished interview with the artist.
